Resultados – POEPOLIT II

GRÄBNER, Cornelia, 2010. ‘Four Paths Five Destinations’: Constructing Imaginaries of Alter-globalization Through Literary Texts. Cosmos and History: The Journal of Natural and Social Philosophy [em linha]. 6 outubro 2010. vol. 6, no. 2, p. 93–112. [Acesso em 8 março 2024]. Disponível em: http://cosmosandhistory.org/index.php/journal/article/view/197

This article contests the popular assumption that literature is ever less politically relevant. Quite the contrary is the case: literature and literary language becomes increasingly important for the alter-globalization movement and for the notion that ‘another world is possible.' The work of four authors - Manu Chao, Eduardo Galeano, Subcomandante Marcos, and José Saramago - are comparatively analysed in light of their contribution to an alternative globalism and to an alternative practice of politics. All four authors contribute from different perspectives to the literary articulation of a political project. Their work shares characteristics such as the permeability of genres, the emphasis on the poetical over the narrative, a meandering structure that expresses the search for and step-by-step construction of a cultural and political alternative, and an emphasis on translation and encounter as principles of interaction with difference.

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GRÄBNER, Cornelia, 2015. Public Spaces and Global Listening Spaces: Poetic Resonances from the Movement for Peace with Justice and Dignity in Mexico. Liminalities: A Journal of Performance Studies. 2015. vol. 11, no. 3.

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GRÄBNER, Cornelia, 2015. Poetry and performance : the Mersey poets, the international poetry incarnation and performance poetry. Em: LARISSY, Edward (ed.) [em linha]. Cambridge: Cambridge University Press. [Acesso em 31 julho 2024]. ISBN 978-1-107-46284-7. Disponível em: https://eprints.lancs.ac.uk/id/eprint/76177/

In this chapter I look at the emergence of countercultural performance poetry in Britain in the 1960s. The chapter introduces the poetry performance and its main characteristics. I then engage in greater detail with the work of the Mersey Poets during the 1960s as part of a countercultural scene embedded in the culture of Liverpool; with the International Poetry Incarnation in London as a specific event which was crucial to the emergence of the 'London Underground'; and end on a reflection on how the poetry performance invites a 'listening differently' - an invitation that we still need to fully take it up on.

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GRÄBNER, Cornelia e CHAMBERLAIN, Daniel F, 2015. Poetry in Public Spaces: Poetry, Public Spaces, and Radical Meeting Places. Liminalities: A Journal of Performance Studies [em linha]. 1 agosto 2015. vol. 11, no. 3, p. 1–5. Disponível em: http://liminalities.net/11-3/intro.pdf

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GRÄBNER, Cornelia e WOOD, David M. J., 2010. Poetics of Resistance: Introduction. Cosmos and History: The Journal of Natural and Social Philosophy [em linha]. 9 outubro 2010. vol. 6, no. 2, p. 1–19. [Acesso em 8 março 2024]. Disponível em: http://cosmosandhistory.org/index.php/journal/article/view/208

The following text provides a conceptual and theoretical introduction to a collection of essays written by members of the multidisciplinary network of scholars, artists and cultural producers named ‘Poetics of Resistance', which seeks to analyse and encourage discussion of the relationships between creativity, culture and political resistance, in the context of neoliberal globalization. The introduction also provides a critical glossary of a set of loosely interlinking keywords, following Raymond Williams, that mark points of encounter and departure between the approaches of the various authors (not to be confused with the list of keywords used to index each article). Rather than presenting a completed research project, this issue serves as a basis for continuing collaborative research and dialogue in the field, and invites readers to join in the ongoing debate. The contributors to this issue are Paulina Aroch Fugellie, Burghard Baltrusch, Arturo Casas, María do Cebreiro Rábade Villar, Roberto Echavarren, Marcos Giadas Conde, Cornelia Gräbner, Nathalia Jabur, Thomas Muhr and David Wood.

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GRÄBNER, Cornelia, 2021. Poesía en performance: activismo, ciudadanía, circuitos y lo poético. Em: MINISTRO, Bruno e DIAS, Sandra Guerreiro (eds.), Poesia Programa Performance: projetos, processos e práticas em meios digitais [em linha]. Publicações Fundação Fernando Pessoa. p. 187–200. [Acesso em 23 julho 2024]. ISBN 978-989-643-173-0. Disponível em: https://bdigital.ufp.pt/handle/10284/10316

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GRÄBNER, Cornelia, 2015. Dichtung im Hier und Heute: Die Konzertlesungen von Urs M. Fiechtner und Sergio Veselyals politisch-kulturelle Irritation. Em: DRÖSSLER, Stefan et al. (eds.), Mit Möwenzungen in der Mehrzweckhalle. Berlin: epubli. Edition Kettenbruch, 3. ISBN 978-3-7375-4350-7.

FIECHTNER, Urs M., VESELY, Sergio e GRÄBNER, Cornelia, 2015. Mit Möwenzungen in der Mehrzweckhalle. Berlin: epubli. Edition Kettenbruch, 3. ISBN 978-3-7375-4350-7.

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