Evolution within the Revolution: The Afro-Cuban Cultural Movement and Cuban Art Collectives, 1975 to 2000
Tipo de recurso
Autores/contribuidores
- Harris, Jonathan (Editor)
- Kocur, Zoya (Autor)
Título
Evolution within the Revolution: The Afro-Cuban Cultural Movement and Cuban Art Collectives, 1975 to 2000
Resumo
During the twentieth century, two movements in Cuban art played a critical role in creating an expanded space for societal debate and cultural expression: the artistic avant-garde and the Afro-Cuban movement. Initially flourishing in the late 1920s and early 1930s, these collective efforts took on new forms in the changed environment after 1959. After the Revolution, conditions for cultural production changed with the official position that art should serve ideological functions, but both avant-garde and Afro-Cuban production continued, at the risk of conflict with the state. In the face of a restrictive state that sought to control such expressions, the Afro-Cuban movement and avant-garde art collectives developed along parallel, and sometimes intersecting, lines.
Título do Livro
Globalization and Contemporary Art
Data
2011
Editora
Wiley-Blackwell
Local
Malden, MA
Páginas
123-136
ISBN
978-1-4051-7950-8
Língua
English
Notas
Subcampos:1946-1989, 1990-present, Book Chapter, English, Antilles, Historical, Performance Centred, Anthropological, Sociological, Ethnic Studies, Cultural Studies, Orality/Sound Studies, Poetics of Voice, Poetics of the Body, Poetics of Staging, Social Poetics, Identitarian Poetics, Neo-avant-guard Poetics, Music, Performance
Citação
KOCUR, Zoya, 2011. Evolution within the Revolution: The Afro-Cuban Cultural Movement and Cuban Art Collectives, 1975 to 2000. Em: HARRIS, Jonathan (ed.), Globalization and Contemporary Art. Malden, MA: Wiley-Blackwell. p. 123–136. ISBN 978-1-4051-7950-8.
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Período
Relações Interartísticas
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